Celtic Myth & legend

Celtic Harvest Festival of Lughnasa

Celtic cross

The Celtic harvest festival of Lughnasa, traditionally celebrated on the first of August, is the fourth and last of the Feast days of the Celtic year. Although these four feast days are usually referred to as festivals of the pre-Christian Irish Celts, there is evidence that each of the four feast days have more ancient roots and that they were at one time  celebrated throughout the Celtic world.

The connection between the four feast days and ancient Celtic religious practices is illustrated by the famed Coligny Calendar. The Coligny calendar records the important dates in the Celtic year. This artifact, unearthed in France in the late 1897, and which dates from about 200 AD, was created by the Celts of Roman Gaul. There is speculation that the calendar was created by Gaulish Druids to preserve the Celtic religious calendar at a time when Gaulish Celtic culture began to be submerged into the Roman way of life, three centuries after the rape and subjugation of Celtic Gaul by Gaius Julius Caesar.

The Swan In Celtic Mythology

Ler and swans

The Swan, which is called "Eala" in Scots Gaelic, "Eala" in Irish, "Alarch" in Welsh, "Alarc’h" in Breton, "Olla" in Manx and "Alargh" Cornish, is known for its majestic grace and gliding mystical beauty. Little wonder then that these birds of the family Anatidae within the genus Cygnus are associated with the gods and goddesses of the pre-Christian Celtic peoples. They are seen as having links to the Otherworld (Aos Si) community whose world was reached through mists, hills, lakes, ponds, wetland areas, caves, ancient burial sites, cairns and mounds. Within these realms dwelt the Celtic gods with all of their supernatural ability. Association with these deities gave the swan an exalted status linked to the Celtic festivals such as those of Beltane and Samhain.

Swan species are: Whooper, Trumpeter, Tundra, Mute, Black-necked, Black, and Berwick. A male swan is called a cob; a female is a pen, and the young are called cygnets. The Northern Hemisphere species of swan have a plumage of pure white. The Southern Hemisphere species are mixed black and white. The Australian black swan is black except for the white flight feathers on its wings. However, the white Mute Swan was also introduced to Australia and New Zealand. The South American black-necked swan has a white body with a black neck. Largest of the waterfowl family Anatidae, the swan is one of the biggest of the flying birds. The larger of the species, including the mute swan, trumpeter swan, and whooper swan, can be over 59 in (1.5 m) with a weight of over 33 Ib (15 kg). Wingspans can extend to over 10 ft (3.1 m). Swans are noted as usually choosing a mate that lasts for life.

Gods and Goddesses of the Celtic Pantheon - Part II

The Druids were the caretakers of Celtic culture.  When he came into contact with the Druids during his conquest of Celtic Gaul, Julius Caesar confirmed their religious role:

The Druids officiate at the worship of the gods, regulate public and private sacrifices, and give rulings on all religious questions.  Large numbers of young men flock to them for instruction, and are held in great honour by the people.

Portrayal of an Arch-Druid.

Had it not been for the Celtic religious ban on committing the wisdom and learning of the Druids to the written word, our understanding of the Celtic Pantheon would be much greater today than it is.

Alas too few texts have survived the savagery and wanton destruction directed at the Celts over the centuries especially during the emergence of the modern nation states of England and France and the wholesale destruction in Ireland during its occupation. The surviving written Celtic source documents are due to accidents of history and geography, mainly Irish and Welsh in origin. The Folkloric traditions of all the Six Nations augment the written record and provide an important source of our knowledge of the Celtic pantheon.

This article is the second part of our survey of the Gods and Goddesses of the Celtic Pantheon. Read Part I here.

Gods and Goddesses of the Celtic Pantheon - Part I

Celtic Pantheon

Celtic Mythology is a foundation stone supporting, along with the language, music and dance, our collective Celtic identity. Celtic Mythology is rooted in the Oral traditions of the six Celtic nations and in surviving manuscripts. Too few texts have survived the savagery and wanton destruction directed at the Celts over the centuries during the emergence of the modern nation states of England and France. The surviving written Celtic source documents are due to accidents of history and geography, mainly Irish and Welsh in origin. The Folkloric traditions of the Six Nations often amplify and sometimes deviate from the written record and provide an important source of our knowledge of the Celtic pantheon. This article is the first part of our survey of the Gods and Goddesses of the Celtic Pantheon.

Tuatha Dé Danann

Tuatha Dé Danann

The Tuatha Dé Danann form a significant feature in Irish, Scottish and Manx mythology. They are Celtic pre-Christian gods with supernatural ability and were of great importance to Gaelic people. They belong to the Otherworld (Aos Si) community whose world was reached through mists, hills, lakes, ponds, wetland areas, caves, ancient burial sites, cairns and mounds. Their association with ancient Neolithic and Bronze Age burial mounds is probably linked to the importance these sites had for the people of pre-history. They were places of communal interment for the ancestors of the Celts of northwest Europe who are descended from the native Neolithic peoples of these lands. Their story was passed on for many centuries in oral tradition. Many of these legends were recorded in a collection of poems and texts, some dating from the third century AD, and compiled in the eleventh century by Christian scholars in such works as the Leabhar Gabhála Éireann known in English as The Book of Invasions.

Faeries, Fraud and Frenzies: The Oxford Dictionary of Celtic Mythology by Dr James MacKillop

Book of Kells

Celtic Mythology is a foundation stone supporting, along with the language, music and dance, our collective Celtic identity.  “The Oxford “Dictionary of Celtic Mythology” by Dr. James MacKillop can be considered one of our primary reference texts. The author is a former Professor of English at Syracuse University, former visiting Fellow in Celtic Languages at Harvard University and is past president of the American Conference for Irish Studies.

Published by Oxford University Press in 1998, this work boasts over 4,000 alphabetised entries on deities, sacred places and the personalities associated with the Celtic revival and ancient texts. The entries are presented in a range from succinct definitions to comprehensive narratives. Included is a brief and lucid “Pronunciation Guide” to the modern Celtic languages. The modern Celtic tongues have branched  over the millennia in to two language groups.  This guide sets apart the Goidelic pronunciations of Manx, Scottish Gaelic and Irish versus that of the Brythonic pronunciations of Cornish, Breton and Welsh.

Celtic Mythology is rooted in the Oral traditions of the six Celtic nations and in surviving manuscripts.  Too few texts have survived the savagery and wanton destruction directed at the Celts over the centuries during the emergence of the modern nation states of England and France. The surviving written Celtic source documents are due to accidents of history and geography, mainly Irish and Welsh in origin.  The reasons for this are deftly placed into context by MacKillop in the introduction: “The phrase ‘Celtic texts’ in this volume refers primarily to those written in the Irish and Welsh languages.  Irish is the oldest written vernacular in Europe, with a literary tradition possibly beginning in the sixth century, with the coming of the Christian scribes, that has produced hundreds of narratives. Written Irish-language literary traditions survived the coming of the Anglo-Normans (1169), the flight of the native aristocracy (1607), Cromwellian pogroms (the 1650s) and in to the eighteenth century. Welsh literary traditions, for all its artistic splendour begins several centuries later, long after Christianity was well established and exists in much smaller volume.  A third, much more modest written tradition exists in Gaelic Scotland, related to old Irish...and continued by distinguished seventeenth and eighteenth century bards.”

Mysterious Stones under a Celtic Dome of Darkness

Cairnholy

Ruined castles and ancient monuments can be mysterious places. Often their remote locations contribute to the sense of being in the presence of something beyond modern comprehension. Perhaps a feeling of something special, magical and unearthly, as if the stones themselves are trying to communicate with us. It is something as a Celt that touches you; that drags a memory from deep within. A secret message passed on to us by our ancient ancestors that remains in the hidden depths of our mind, struggling to emerge from our subconscious.

Around the Celtic world there are many cairns, stone circles, standing stones and carvings in rock from times of prehistory. Anyone visiting megaliths such as, to mention just a few, those found in Carnac in Brittany, Ring of Brodgar in Orkney, Newgrange in Ireland, Cashtal yn Ard in Isle of Man, Bry Celli Ddu in Wales, Hurlers Stone Circles/An Hurlysi in Cornwall, can feel the spiritual importance passed down through the centuries. Made by our ancestors in the dark Celtic lands of north-west Europe, we are their direct descendants. No surprise really then that the monuments that they created with such effort, care, skill and reverence should reach out to us from beyond the grave of their original creators, for we carry within us their genes.

Tuatha Dé Danann

The Tuatha Dé Danann forms a significant feature in Irish, Scottish and Manx mythology. They are Celtic pre-Christian gods with supernatural ability and were of great importance to Gaelic people. They belong to the Otherworld (Aos Si) community whose world was reached through mists, hills, lakes, ponds, wetland areas, caves, ancient burial sites, cairns and mounds.  Their association with ancient Neolithic and Bronze Age burial mounds is probably linked to the importance these sites had for the people of pre-history. They were places of communal interment for what many believe to be the ancestors of the Celts of northwest Europe. Their story was passed on for many centuries in oral tradition. Many of these legends were recorded in a collection of poems and texts, some dating from the third century AD, and compiled in the eleventh century by Christian scholars in such works as the Leabhar Gabhála Éireann known in English as The Book of Invasions.

The name Tuatha Dé is thought to derive from old Irish Gaelic meaning ‘people of the gods’. The word ‘Danaan’ seems then to have been added later by Christian scribes. This was thought to be in order to differentiate the Tuatha Dé (people of the gods) known to the Gaels of Ireland, Scotland and the Isle of Man as part of their own pantheon, from the Israelites (people of god) highlighted in Christian teaching. The word Danaan is believed to come from old Gaelic literature; Dana being a Celtic female figure and goddess. The idea of waves of ‘invasions’ into Ireland was also probably further developed in an attempt by monastic scholars to create a history of Ireland that would also suggest some kind of link to one of the lost tribes of Israel.

Countdown to Halloween: The Celtic New Year

Halloween pumpkin

Halloween is a Celtic festival celebrated on the night of 31st October and 1st November every year. In the six Celtic Nations of Brittany, Cornwall, Ireland, Isle of Man, Scotland and Wales, Halloween marks the end of the summer and the beginning of winter. The festival is associated with the Celtic feast of Kala-Goañv (Breton), Calan Gwaf (Cornish), Samhain (Irish), Sauin (Manx Gaelic), Samhuinn (Scottish Gaelic) and Calan Gaeaf (Welsh). Entirely pagan in origin, Halloween was traditionally a time of year when the worlds of the living and the dead were seen to be at their closest. It is a time when the creatures of the 'Otherworld' make their presence known to the people of 'this world'.

Halloween is now a globally celebrated festival, particularly in the 'New World' where its traditions were brought by waves of Celtic emigration. The lanterns, fires, costumes and belief in the supernatural remain deeply rooted in Celtic culture and tradition. Although called Halloween in most places, on Isle of Man it is more usually known as 'Hop-tu-Naa'.

In the build-up to this year’s festival of Halloween, Transceltic brings a selection of stories, spooky tales and memories from around the world. New features will appear every week from now until Halloween Eve.

In the meantime, here are the Halloween features from last year:

Celtic Myths and Legends by Peter Berresford Ellis

Celtic symbol“Celtic Myths and Legends”, by Peter Berresford Ellis, is an entertaining 600 pages of 37 mythic tales drawn from the legends and folklore of the six Celtic nations.  This work benefits immensely from the story telling prowess of the author who is also author of the “Sister Fidelma” historical mysteries under his pseudonym of Peter Tremayne.

In addition to the tales based on folkloric tradition, the author gives the reader a grounding in the Mythology of the Celtic peoples and an overview of the Celtic languages in the 22 page introduction.  An introduction which deftly places into context the ancient roots of Celtic mythology and in doing so supports the premise that certain aspects of Celtic Myth are windows to the very beginnings of Indo-European culture.  Ellis continues with a concise summary of the linguistic development and divergence of the mother tongue into the two Celtic language groups of Brythonic (Welsh, Breton and Cornish) versus that of the Goidelic (Irish, Scottish and Manx).

Linguists argue that the form of Celtic we term Goidelic is the more archaic branch of Celtic.  It is suggested that around the 7th century BC, the Celtic languages subdivided, when the form which we call Brythonic emerged. From a Goidelic parent, Brythonic modified and evolved in several ways.

Patricia Monaghan and The Encyclopedia of Celtic Mythology and Folklore

The prolific Patricia Monaghan, at the time of her recent death in November 2012, was Professor at Chicago's DePaul University School for New Learning (America's largest Catholic University). The author of "The Encyclopedia of Celtic Mythology and Folklore", Monaghan is from an Irish American family and held dual citizenship. She was author of over 20 books reflecting a general interest in Celtic and non-Celtic deities, an example being her "Encyclopedia of Goddesses and Heroines" first published in 1981. An author of eclectic interests, Monaghan also penned the 2008 "Wineries of Minnesota and Wisconsin" and at the time of her death at age 66 had just completed an anthology entitled "Brigid: Sun of Womanhood" which is set for 2013 publication.

We are grateful for Professor Monaghan's interest in spirituality and mythology for it led to the 2004 publication of "The Encyclopedia of Celtic Mythology and Folklore". This work contains over 1000 entries spanning 500 pages which enjoy generous source citations for further reading and covers topics of Celtic mythical heroines, sacred Celtic places and objects, religious concepts and the Celtic pantheon. One of the sacred places cited is Lough Gur near modern Limerick in Ireland, which is the site of the largest extant Stone Circle in Ireland The Grange. This sacred place is believed to be an entrance to the Otherworld, a belief common in Celtic lands where water was seen as the "dividing line between this world and that of the Fairies".

Pages

Subscribe to Celtic Myth & legend