Celtic Myth & legend

Celtic God Lugh and Gaelic Festival of Lughnasadh

Tuatha Dé Danann

The name of the month of August in all three Gaelic languages is derived from the Celtic god Lugh (also known as Lug and in Modern Irish: Lú). In Modern Irish August is called Lúnasa, in Scottish Gaelic: Lùnastal, and in Manx: Luanistyn. At the beginning of the month Lughnasadh is celebrated. It is one of the four Gaelic seasonal festivals, along with Samhain, Imbolc and Beltane. The festival of Lughnasadh (also known as Lughnasad), is, like the month itself, named after the god Lugh. Traditionally held on the first day of August it was widely observed throughout Ireland (Éire), Scotland (Alba) and the Isle of Man (Mannin). Clearly Lughnasadh was regarded as an important pre-Christian festival and is mentioned in some of the earliest Irish literature.

August was seen as a time that marked the beginning of the harvest season. The Celtic year appears to have been driven mainly by agrarian concerns. The festival day is called  Lá Lúnasa (Day of Lúnasa) in Irish or either Laa Luanistyn or Laa Luanys in Manx. There were a number of traditions associated with Lughnasadh in times gone by including ritual ceremonies, feasts and athletic competitions. These festivities were said to have been originated by Lugh himself and to have celebrated his deeds and those of members of his family, in particular his mother. Some festivals continue to be held specifically in celebration of Lughnasadh and others, including the Puck Fair, held in early August in the town of Killorglin, County Kerry (Irish: Cill Orglan, Contae Chiarraí) is believed to be a survival of a Lughnasadh festival.

The Celtic Origins of Halloween

Halloween is a festival that falls on October 31st and is now celebrated in many parts of the world. A night of bonfires, hollowed out turnips and pumpkins lit with candles highlighting carved gruesome images, an association with ghosts, the supernatural and the dead. People dressed in costumes often depicting figures of horror taken from fiction and film derived from the genre of Gothic horror. The origins of this popular celebration of all things macabre can be traced to the Celtic festival of Samhain. It is one of the four Gaelic seasonal festivals, along with Imbolc or Imbolg; Bealtaine  (Irish: Lá Bealtaine; Scottish Gaelic Là Bealltainn; Manx Gaelic Laa Boaltinn/Boaldyn); and Lughnasadh or Lughnasa (Irish: Lúnasa, in Scottish Gaelic: Lùnastal, Manx: Luanistyn). Historically, Samhain is widely observed throughout Ireland, Scotland and the Isle of Man. Similar festivals are held at the same time of year in other Celtic lands; for example the Calan Gaeaf (in Wales), Kalan Gwav (in Cornwall), and Kalan Goañv (in Brittany).

The Deer's Cry and Its Link to Animism and Shapeshifting in Celtic Mythology

Celtic deer design

Celts had and continue to hold a great respect for the environment. Nature, the elements and the other creatures which share their land and sea held a sacred significance. Animals and birds were vital to everyday life and well-being and they feature in art, literature, rituals and religious beliefs. Our landscape, geographic location and wildlife has played a pivotal role in our history, beliefs and recognition of ourselves. For our culture tells us that we are part of and completely tied to the lands in which we live or from where we came. Pre-Christian Celtic beliefs perceived the presence of the supernatural in every mountain, river, coastal feature, spring, loch, marsh, tree and rock formation. All had their own spirit and life force that were integral to, and interwoven with, the material world. Humans formed just one part of this understanding of an interlinked world. Given this strong link with nature, it is not difficult to see why the idea of shapeshifting, the ability of a being or creature to transform its physical form or shape was also widespread in Celtic mythology and folklore.

Magnificent Horse of the Celtic Gods - ‘Enbarr of the Flowing Mane’

Horses hold a special place in Celtic mythology and there are many examples of where they take on religious significance in Celtic legend. There are few, though, that are as magnificent as the horse known as Enbarr; some alternate name spellings are Aenbharr, Aonbharr and Énbarr. Described as Enbarr of the Flowing Mane, this horse is associated with the great Celtic Sea god Manannán mac Lir. He features in Irish, Scottish and Manx mythology and is Cognate with Manawydan fab Llŷr in Wales. Manannán is closely associated with the Isle of Man (Mannin) and it is from him that the Island derives its name. He is referred to as the first ruler of Mannin and ceremonies continue to be held on the Island in his honour. His role as a god of the Tuatha Dé Danann (Tuatha Dé) is recounted in many Celtic stories.

Stories of the Tuatha Dé have been told through medieval Irish literature which were based on much earlier tales handed down through oral traditions of storytelling. Manannán was known to have been a great magician and was in possession of a number of enchanted items with astounding magical powers. However, there is little to match his magnificent horse Enbarr of the Flowing Mane. This beautiful pure white horse could travel like the wind over land and sea.  Manannán lent Enbarr, along with other of his magical possessions to his foster son Lugh, who fought battles for the Tuatha Dé Danann in Ireland. Lugh is an important god of Irish mythology. He was sent to the Isle of Man as a boy to be schooled by Manannán in many skills and to become a great warrior. Manannán had him trained with his own sons in the use of arms, and he learned to hunt and to fish, to run and to swim. He grew tall and strong and brave. However, the time came, with his people the Tuatha Dé engaged in war in Ireland, for him to return home. Important in his quest was his magnificent Enbarr.

The Celtic Roots of Christmas Traditions

Celtic Christmas

The roots of the Christmas traditions that we recognize today can be traced back to pre-Christian celebrations of the Winter solstice. The solstice is the twice yearly event when the sun appears to be at its highest or lowest point above the horizon. In the northern hemisphere the Winter solstice usually occurs annually between December 20 and December 23.

The Winter solstice was seen by the ancient Celts as one of the most significant times of the year. The Neolithic monuments of Newgrange in Éire, Maes Howe in Orkney, Scotland and Bryn Celli Ddu in Ynys Môn,  Wales are examples of burial chambers scattered throughout the Celtic nations constructed to capture the full impact of sun’s rays during the solstices.

Druids, the priestly class in ancient Celtic society, celebrated the festival of Alban Arthuan (also known as Yule) at the time of the Winter solstice. It was on this day that they ceremonially gathered mistletoe from oak trees. A practice described in the writings of Roman historian Pliny the Elder (Gaius Plinius Secundus AD 23 – August 25, AD 79).

Greetings on the Celtic Celebration of Halloween 2017

Halloween turnips

The Celtic festival Halloween is celebrated on the night of 31st October and 1st November every year.

In the six Celtic Nations, Halloween marks the end of the summer and the beginning of winter. The festival is associated with the Celtic feast of Kala-Goañv (Breton), Calan Gwaf (Cornish), Samhain (Irish), Sauin (Manx Gaelic), Samhuinn (Scottish Gaelic) and Calan Gaeaf (Welsh).

Entirely pagan in origin, Halloween was traditionally a time of year when the worlds of the living and the dead were seen to be at their closest. It is a time when the creatures of the 'Otherworld' make their presence known to the people of 'this world'.

Halloween is now a globally celebrated festival, particularly in the 'New World' where its traditions were brought by waves of Celtic emigration. The lanterns, fires, costumes and belief in the supernatural remain deeply rooted in Celtic culture and tradition. So greetings on this Halloween or Hop tu Naa as it is known on the Isle of Man. Remember to enjoy this festival, but take care, spirits and entities not of this world arise on this night as our ancestors knew only too well. Pay respect to the creatures of the 'Otherworld' or there maybe a heavy price to pay!

If you haven't already, we recommend reading our exclusive interview with Dr Jenny Butler on the Celtic Folklore Traditions of Halloween.

The Importance Of The Hare In Celtic Belief And Our Duty To Protect All Wildlife

Hare on old Irish three pence

Landscape, seas and geographic location plays a pivotal role in Celtic peoples history, beliefs and recognition of themselves. Our culture tells us that we are part of and completely tied to the lands in which we live and the sea that surrounds us. Consequently, as might be expected, Celtic mythology and folklore place the natural world at centre stage. In these stories everything in nature possess a spirit and presence of their own, including mountains, rocks, trees, rivers and all things of the land and the sea. Also forming part of the landscape and stretching back into the mists of time are the cairns, mounds and standing stones that are to be found everywhere in the Celtic lands of northwestern Europe. So accepted as a natural feature that they are seen as creations not of man but of nature or even the supernatural entities that were thought to live alongside the world known to humans.

Cairn L

Megalithic monuments were not placed in a random way but were large ceremonial complexes constructed for specific purposes. We can deduce that astronomical alignments, both solar and lunar, were important factors in the positioning of these remarkable structures. We do not now know the belief systems of those who built them, perhaps they thought the constellations gave a special meaning to the world. Stone circles, cairns, other types of ancient stone monuments and Neolithic carvings have pointed to there constructors being skilled astronomers. Ancient stones and tombs are placed in a way that capture moments of astronomical importance. According to archeologists the ancient Irish were the first to record a solar eclipse 5,354 years ago. A geometric etching illustrating the eclipse is thought to lie inside the Cairn L. This is one of the two large focal monuments on Cairnbane West outside Kells in Ireland’s County Meath. The carving of concentric circles and lines is at the back of the chamber of the cairn. As reported in a previous article in the Irish Post:

Ravens in Celtic and Norse Mythology

Hooded Crow

Animals and birds are a significant feature in Celtic and Norse mythology. We know that the Celts had and continue to hold a great respect for the environment. Nature, the elements and the other creatures which shared their land held a sacred significance. Animals and birds were vital to everyday life and wellbeing and they feature in art, literature, rituals and religious beliefs. We recently wrote about the horses in Celtic mythology.

In the Celtic world there have been many Scandinavian and Viking influences over the centuries that remain evident today. The Viking incursions in the Celtic lands began in the 8th century. All of the present six Celtic nations felt the impact of the Viking raids. They brought with them their legends and sagas the legacies of which are found in literature, folklore and carvings in many parts of the Celtic lands. As with the Celts animals and birds affected the everyday life of the Norse people and held a crucial place in their belief systems. In this article we take a particular look at the place of ravens, crows and their relatives in Celtic and Norse mythology.

Brigid - Celtic Goddess To Christian Saint - The Feast of Imbolg

During the period of Christian conversion of Ireland in the 4th and 5th centuries, it was the strategy of monastic scholars to ensure an easy transition from Celtic to Christian belief. The disciples of Saint Patrick successfully deceived the Celts into thinking that the new faith of Rome was a mere extension of their traditional religion.

Christian missionaries incorporated elements of the peoples veneration of the Celtic Gods into Christian doctrine. The often used example of this religious shift is the fate of Brigid. Brigid was deftly transformed from a daughter of ‘The Dagda’ of the Tuatha Dé Danann into the Saint of the same name. In the early tales of the Christian Saint, Brigid is portrayed as the daughter of a Druidical household before her embrace of the new religion. The Druids were the priests of the pagan Celtic religion but were also akin to today’s upper middle classes: “The Druids were the professionals of pre Christian Celtic society. They comprised all the professions – doctors, lawyers, teachers, philosophers, ambassadors...(and priests of the Celtic Faith)” (Ellis). Thus with her conversion to Christianity, Brigid abandons the Celtic Gods and their priests, the Druids. To reinforce this transition the early church adopted the feast day of the Celtic Goddess Brigid, or Imbolg, to the feast day of the Christian saint.

Interview with Dr. Jenny Butler: The Celtic Folklore Traditions of Halloween

Dr. Jenny Butler

By popular demand, we are re-featuring this exclusive interview with Dr. Jenny Butler, originally published in October 2013.

The ancestry of modern Halloween, which needs no introduction here, leads on a straight line back to Samhain, the Celtic feast day of the Dead. One of the four annual feast days of the Celtic world, Samhain was such an important feast day that it did not escape the notice of Julius Caesar as he ravaged Celtic Gaul who remarked that the Celtic god of death and winter was worshipped on this day.

Samhain was the principal feast day of Celtic Ireland prior to the arrival of Christianity. Over time, the Christianisation of Celtic religious belief re-made Samhain into All Saints Day, a principal Holy Day of the Catholic Church, which as the name of the Holy Day suggests, gives a nod to its roots as the Celtic feast of the dead. The smooth transition from Celtic Samhain to the Christian holiday honouring dead Christian Saints is just another example of how expert were St. Patrick’s missionaries in weaving Celtic myth into Christian belief making it seem as if the new religion was really an extension of the existing faith in the Gods of the Celtic Pantheon.

Transceltic are honoured to have had the opportunity to interview Dr Jenny Butler on her insights into the origins of Halloween. Dr Butler is a folklorist based at University College Cork's Folklore and Ethnology Department with a PhD thesis on the topic of Irish Neo-Paganism. Dr Butler’s principal interests are in the areas of mythology, belief narratives, folk religion, ritual and festival. A member of The Irish Society for the Academic Study of Religions (ISASR), she has numerous articles to her credit. Dr Butler is currently working on a book about Irish contemporary Paganism.

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